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Sangre de Cristo Arts Center Winter Exhibits

Works by Duesberry, Johnson, Oliver, Pikes Peak Pastel Society, Recchia and Ace on display

The American West
Joellyn Duesberry

November 10 through January 26
Joellyn Duesberry is nationally recognized for her dynamic landscape paintings. Her canvases are remarkable for their rich and intense use of color, and for her distinct interest in the geometry of cityscapes and landscapes. Duesberry’s paintings, though clearly contemporary, echo very large western landscapes. Her use of light, shadow, scale and texture culminates in paintings that are both visually and emotionally arresting.

Duesberry divides her time between studios in Denver, Colorado, and Millbrook, New York, and has painted plein-air around the world for 40-plus years. She began exhibiting in New York City in 1979, and has since had ten New York solo exhibitions, with recent retrospectives at the Century Association and Denver Art Museum.

A pivotal point in Duesberry’s career came in 1986 when she was awarded a National Endowment for the Arts grant that enabled her to work with Richard Diebenkorn, who encouraged her to try monotype print-making. Since then, she has been actively producing and exhibiting her monotypes along side her plein-air paintings.

In 2005, a PBS documentary was made of Joellyn Duesberry’s life, work, and creative process titled “Joellyn Duesberry: Dialogue with the Artist.”

Pastel to the Limit!
Recent Work by Pikes Peak Pastel Society

November 3 through January 9
Pastel to the Limit! is an exhibit that explores a wide selection of subject matter through the beautiful medium of pastel. Pastel lends itself to endless degrees of subtlety, interpretation and artistic styles. The Pikes Peak Pastel Society was founded in 2000, and currently has a membership of 30 members. The goal of the society is to promote excellence in soft pastel painting and to increase the awareness and appreciation of pastel painting to the general public. Membership in the organization is juried in order to maintain a high level of quality and integrity of work.

Liz Johnson’s: The Silence of Water
November 15 through February 2
Liz Johnson, an artist who teaches photography and digital arts at Colorado State University-Pueblo, presents a study of water and its form in The Silence of Water. “My compositions are abstract yet I view these images as a kind of portraiture; they are a record of my interaction with the waters’ energies.” Johnson began photographing water in the spring of 2004, as she hiked along Newlin Creek after the winter thaw. The force and the presence of the water were so compelling, she returned the next day with her camera.

Through the process of photographing, Johnson felt like she collaborated with the subject while capturing images created by the flow of water and light. Johnson continues to photograph through the seasons, portraying the water in its myriad forms. When looking at the diversity in her images, Johnson feels that she could explore this subject endlessly and never exhaust its countless possibilities.

Graphic Statements in Pencil and Charcoal:
Works by Robert Hench

November 15 through February 2
Local artist Robert Hench is a true Renaissance man—a visual artist, pianist, art critic, archeologist, and is fluent in several languages. The well-rounded Hench will present Graphic Statements in Pencil and Charcoal: Works by Robert Hench, at the Sangre de Cristo Arts Center starting November 15. In his multi-dimensional manner, Hench talks about his work, “I find it intriguing that the act of drawing can parallel the development of a mathematical equation... a drawing—like a mathematical equation—inevitably gains a momentum in itself and determines its own outcome.”

Hench’s show includes pencil and charcoal drawings that he labels “graphic statements.” These statements focus primarily on people, although Hench is hesitant to label them as portraits. “I try to avoid the limitations of both strict portraiture and complete abstraction. My preference instead is based on the visual possibilities that occur when the two approaches are intuitively combined.” While introspective and modest about his work and other talents, Hench’s life is rich with experience including: a former employee of CSU-Pueblo, an expert on the Maya calendar, a participant in Maya archeological digs, and a drawing instructor at the Sangre de Cristo Arts Center.

Jan Oliver’s Saints and Angels
November 15 through February 2
A two-part show from local artist Jan Oliver, Saints and Angels explores the role of angels within our culture. Appearing throughout the ages, biblical texts recount stories of angels acting as messengers, protectors and guides to those in need. In her unique and colorful style, Oliver interprets angels within our Southwestern landscape. Providing protection, they hover over pilgrims on their long journey to Santuario de Chimayo each Easter season. Atop a sturdy mount, another angel depicted in Spanish colonial regalia declares a message of peace. And in a playful depiction from a childhood tale, an angel presents greedy King Midas with eggs made of gold—providing a reminder to us all that riches alone will not satisfy all longings of the heart.

Moving outside the traditional depictions of saints, Oliver also presents a series of paintings in response to the question: “If you could invite any saint to dinner, who would it be?” Here, Oliver presents “An Evening with the Saints” engrossed in conversation, sometimes with other surprise “dinner guests.” Each painting has an underlying theme and message represented symbolically. In each of these playful works, Oliver challenges the viewer to decode the common link between the saints and their distinguished dinner guests.

Louis Recchia/ Zoa Ace
November 15 through February 2
Regionally recognized artists, Louis Recchia and Zoa Ace have created art for over 30 years in the Denver area. Both artists’ colorful and exquisite imagery, usually on a large scale, have been in museums such as the Denver Art Museum, as well as the Museum of Modern Art and the U.S. Embassy in Vienna, Austria.

Recchia focuses on themes of vulnerability and the idea of innocence and innocence lost. He also uses well-known paintings by modern masters, pop imagery, and 3-Dimensional objects to inspire his art.

Ace’s work includes symbolism or shapes that recall other styles, such as vivid patterned elements in the fashion of Matisse. Her figures come from her imagination with the influence of magazines. Inscrutable party scenes or encounters also make up many of her paintings.

A free public reception with the artists, in conjunction with the opening of the Own Your Own Art Show & Sale, will be held on Wednesday, November 14, from 5-8 p.m. in the Helen T. White Galleries. The reception and the Arts Center’s exhibitions are sponsored by Mark and Kitty Kennedy.

Admission to the Arts Center is $4 for adults and $3 for children. Members of the Arts Center receive free admission. For more information, please call 719-295-7200 or stop by the Arts Center located at 210 N. Santa Fe Ave., just off of I-25, exit 98b.


 

 
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